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In its Blueburst hue - a dark blue 'bursted top with black sides, back and neck - it's far from traditional, but that suits our man to a tee.
Unlike the other Chinese-made Casinos currently offered by Epiphone, this one comes without a pickguard and with Gibson USA Ps housed under their metal covers.
And, colour aside, there are no signatures to put you off if you don't like the artist. This is simply a very cool, unusual guitar.
That immediately gives the instrument a lightweight feel, and while the Bigsby adds weight, it also adds balance strapped on; the trapeze version is slightly neck-heavy by comparison.
Speaking of necks, Epiphone has spec'd this one with a 's SlimTaper D Profile', which in the hand feels a little bigger than the relatively trim front-to-back depth.
The wide and low frets are nicely installed on the rosewood 'board and sit over the white edge binding for maximum playing width.
Setup, as supplied by Epiphone, is almost too low, and it would easily suit a higher action and heavier strings - on the standard mm Clark is hardly a shredder and, of course, thanks to that lack of centre block, the neck joins the body at the 16th fret, which actually makes upper-fret work a bit of a stretch.
From the guitar's acoustic resonance, you get an idea of what's in store: it's a lively performer, with a very different, shorter and pluckier response, compared with a centre-blocked semi or, certainly, a solidbody.
The Elitist is built with a 5 ply body, grover tuners and Gibson made P90 pickups. But if you really want to sound like Gary Clark Jr.
More recently, Gary Clark Jr. Here though, he has branched out a little — making alterations to the stock Gibson models. Specifically, he has changed the regular humbucking pickups to P90s, and also added a third pickup in the middle position.
This gives him the warmth and clarity of the P90s, with enough power and output from having 3 pickups to really crank his amp and get those beautiful heavy blues tones.
None of the stock Gibson or Epiphone models come fitted with 3 P90 pickups. In fact, almost no SG models come fitted with P90s.
Gibson did make a limited run of models at the beginning of , but the range has since been discontinued.
The guitar and amps that he uses obviously have a large impact his sound. But some of the more nuanced details of his setup are less relevant once you add his fuzz, overdrive and octave pedals into the mix.
In other words, buying a regular SG model will help get you close to the Clark Jr. And with that in mind, my recommendations from least to most expensive are as follows:.
Finally, if you really want to sound like Gary Clark Jr. You can buy any of the models listed above and replace the pickups with P90s. Gary Clark Jr has used Fender amps ever since he started playing small blues bars in Texas.
His first amp of choice is the Fender Vibro-King. Originally released in , this is one of the lesser known Fender models. In some ways, it is also quite different to a lot of the Fender catalogue.
Fender amps are renowned for having beautiful clean tones and lots of headroom. With the volume on , you get beautiful and slightly overdriven blues tones.
If you start to crank it, then it breaks up in a way that is not typical of Fender amps. Unfortunately, the Vibro-King is no longer in production.
In , Fender brought out a 20th anniversary model but that too has been discontinued. This is mostly to do with its size.
It is 60 watts, has 3 speakers and weighs 33kg. Even though it breaks up at relatively low levels, it is still far too loud to play at home.
If you are playing big gigs or have a studio, then the Vibro-King would be an amazing choice. Otherwise I would suggest opting for a smaller Fender amp.
Luckily, Gary Clark Jr. The second amp that he uses in conjunction with the Vibro-King, is the Princeton Reverb. This is one of the most popular Fender amps ever made.
It has beautiful clean tones, breaks up into warm overdrive when cranked, and also features a reverb and tremolo circuit.
It embodies the American Fender sound, and is an amazing all round amp for vintage blues tones. Perhaps best of all, the Princeton Reverb is a brilliant amp for small gigs or home use.
At watts, you can get great tones at lower levels. Ultimately these amps are very similar, but with a couple of notable differences. The 65 Reissue is a more classic Fender amp.
It is slightly higher wattage and has more headroom. It has very sparkly highs and beautiful clean tones. In regards to its construction and features, it remains true to the original Fender Princeton Reverb amps.
So you get all of the classic Fender features, but there is a modified tone circuit and reduced negative feedback. This amp has less headroom and breaks up at lower levels.
It is also designed to provide a very good platform for pedals. For these reasons, if you want to sound like Gary Clark Jr. It will help you get those beautiful overdriven blues tones at lower levels, and it takes pedals very well.
Also, although there is some conflicting information online, my understanding is that Clark Jr. So adding the 68 Princeton Reverb to your rig will definitely help you get those Clark Jr.
If you want to sound like Gary Clark Jr. Guitar pedals play a crucial part in his sound, and without them you will struggle to replicate the same tones.
Over the years, Clark Jr. He uses a lot of fuzz, as well as overdrive, reverb, tremolo and wah-wah. When combined together, these pedals really provide the foundations of Clark Jr.
To sound like Gary Clark Jr. Clark Jr. More recently though, Clark Jr. Fuzz is the defining sound of Gary Clark Jr. It is a vintage voiced fuzz pedal that doubles as an octave pedal.
The Clusterfuzz is a very versatile fuzz pedal, with a huge number of tones and options to tweak them. It has 5 different clipping options to adjust the saturation level.
Finally, the Cannon Dual Fuzz also acts as a 2 in 1 fuzz and octave pedal. This is actually based on the Astro Tone Fuzz but with a few changes, as well as the addition of the octave effect.
Whilst Gary Clark Jr. Until recently, he used the Ibanez Tube Screamer for his overdrive. Now though, he use a Hermida Audio Zendrive by Lovepedal.
If you really want to sound like Gary Clark Jr. All of them will help you get beautiful overdriven blues tones similar to those of Gary Clark Jr. Replicating Gary Clark Jr.
Some of my top recommendations are:. All of those pedals are reasonably priced. But if there is room in your budget, I would recommend the Q pedal, which allows for a greater level of tone tweaking.
You can alter the tone on that pedal from a wide and subtle vintage wah-wah sound, through to a more modern, sharp and narrow wah-wah sound.Musikhaus Kirstein GmbH. Eine Nichtbereitstellung hat zur Folge, dass kein Vertrag geschlossen werden kann. Clark's Switzerland Super League Table Ltd. Die Casino ist vollkommen hohl, sie sind also beide leicht, ich kann mich nicht beschweren… Was den Ton angeht: Ich liebe den Sound der drei PPickups. Was ist das? Sie können den Newsletter jederzeit in Angry Bird Rio eBay" unter "Gespeicherte Verkäufer" über die Menüführung "weitere Aktionen - Liste gespeicherter Verkäufer Ukash Decrypt abbestellen bzw.